The Expanse

The other day I did a real quick write up on James Corey’s Leviathan Wakes (which was a great little space opera, if that’s your thing) and lo and behold today I come across a trailer for a 10 episode series SyFy is doing called The Expanse (based on Leviathan Wakes).

leviathan wakes

I’m interested to see what they do with this. In my estimation there haven’t been many good space based stories on television recently. Last one that really held my attention was Battlestar Galactica and even that fell off in the last few seasons. So, fingers crossed.

Time Heist Review

Thanks to Heroines of Fantasy for the review of Time Heist. Chris Gerrib has some great feedback! Also, thanks to Ted Cross for putting this review on my radar. If you haven’t picked up Ted’s The Immortality Game yet you’re only hurting yourself!

http://heroinesoffantasy.blogspot.com/2015/01/review-time-heist.html

Anthony

Super Hero Woes

Yaay, it’s short story Monday! Tuesday! It’s not a thing, but we’re gonna pretend like it is. Here’s a little short story I wrote way back when. Want more free short stories? Head over to OneLazyRobot and you can scrounge up some more.

Super Hero Woes

“With great power comes great responsibility.” -Uncle Ben from Spider-Man

My names Xavier, like the professor from X-Men. I’m not super smart, like him, though. Then again, I can walk, so it’s kind of a draw.

Not including my ability to go up and down stairs, I do have something else he doesn’t…

I’m strong.

Like, really strong.

When I was seven years old I scared the Holy Spirit out of my Grandma when I accidentally lifted her four door sedan over my head in search of a Tonka truck that had rolled underneath. When I put the car down, Grandpa was white-knuckling the steering wheel with eyes wider than my fist.

At that particular moment nobody gave me the, “With great power…” speech. No, they thought I was possessed. Next thing I know, Father Fairfax is stopping by, sprinkling water in my eyes and wielding a Bible over his head like a battle ax.

It didn’t take.

The exorcism, that is. Probably on account of the fact that there was nothing to exorcise. My family adopted a fine strategy of group amnesia with a side of denial, and a healthy heaping of if we don’t talk about it, then it didn’t happen mixed in for good measure.

I can’t pretend not to have noticed their watchful eyes boring holes through my psyche, though. When you’re a kid, you notice when people look at you like you’re different. It’s a kid sixth sense bordering on superpower.

What caused my super human strength, you ask?

Short answer is: I don’t know.

Long answer isn’t much longer.

I don’t remember any radioactive spiders, that’s for sure. Maybe it was an alien?

Who knows?

In the end, it doesn’t really matter ‘cause I’m stuck with this curse, or gift, depending on which way you decide to look at the thing.

Ok, so imagine you’re me, sixteen years old, sitting in the movie theater watching Spider-Man—the one with Toby McGuire—when Uncle Ben comes on screen with his bullet riddled body and squawks out a nugget of wisdom before his eyes rolled back in his head and he made that gurgling noise signifying death. It was a sad moment. I teared up.

If you haven’t seen it, watch it at your own risk. Bring a few tissues to be on the safe side.

So, if you’re me, watching poor Uncle Ben gasping for his last breath, and you’ll probably thing the old man’s talking directly to you.

Or at least, I did.

I saw Spider-Man and all he stood for and thought, I owe it to the people of Danderville Ohio too be all I can be.

No, I didn’t join the army. I did something better.

I made a costume.

It was a little rough, but it came together in the end. I had a blue cape fashioned from an old faded blanket given to my parents when my baby brother was born. Here’s something I learned in all of this…canary blue is not an intimidating color for a masked avenger.

But you make do with what you got. And anyways, my sparkling red tight were definitely enough to let the bad guys know I meant business.

Here’s something they never tell you in the superhero movies. Lycra is a relatively weak material. It rips incredibly easy. When you’re running in and out of burning buildings, sure, it breathes well, but you might as well be naked.

Oh, ad choosing a superhero name? Not as easy as you might think. I wanted something cool. Something to show that I was out to protect the innocent people of Danderville. More than anything, I wanted something badass.

And what’s more badass than, The Hit Man!!

I don’t know, but I’ll tell you what is not bad ass. I sent my orange and green shirt to the seamstress. Sewing letters was outside my ability. Unfortunately there was some sort of mix-up. When I got it back it said, The Hi Man!!

Seriously, say that five times fast and you’ll realize it’s a different kind of innocence I’d be protecting. I almost gave up right there. The seamstress must have hit her busy season cause it would take a couple weeks to get it fixed.

Whatever, crime waits for no man.

And anyways, most crime happens at night. Nobody would even notice. Most degenerate criminal types can’t read anyhow.

So, there I am: ragged canary blue cape with white spots from my brother’s baby vomit. Red spandex that made me glow in the dark with a dark green/neon orange long sleeve shirt that said The Hi Man across the chest.

It was a Tuesday night the first time I snuck out of my bedroom window. The air was crisp in all my tender regions as I leaped from the second story to the ground. I landed with a loud thud, crouched low as the motion light to the backyard came on, and hid behind my dad’s barbecue.
I waited a couple minutes until I was sure the guards, aka my parents, hadn’t noticed anything before melting into the shadows. I re-emerged on the other side of the house, gunning for freedom on my 12 speed Huffy, mashing the peddles like my life depended on it.

I put as much ground between The Hit Man and my secret identity. It’s the only way to protect the ones we love.

***

I wasn’t operating with much of a plan, but in a cesspool of 2,000 suburbanites, how hard could it be to find some nay-do-wells. The streets were quiet as I peddled down Main street. The humming of my tires across the black asphalt was the only sound. I glanced at my watch. It was already 10:34.

Prime crime time, I told myself. Better stay extra alert.

As I rounded the corner of 1st and Main my spider senses started tingling. There, at the end of the street, a man dressed in dark clothing was loading boxes into the back of a white panel van. I’d seen enough movies to know he was likely robbing the place of high end electronics.

Vaulting from my bike, I sprinted the remaining distance. Which, even with the benefit of adrenaline and super-strength, was substantially slower than if I had remained on my bike.

What can I say, I got caught up in the moment.

“Hey, you! Stop what you’re doing!” I yelled. Behind me, my cape flapped in the wind with the prerequisite amount of awesome.

The guy must have been guilty ‘cause he dropped the box with a loud thud, paused like a frightened jackrabbit, and then sprinted back into the building like a determined jackrabbit.
I pulled on the door to the building, but it was no use—he’d locked it from the inside.
“You’re not getting away that easy,” I said, taking a few steps back. With a running start, I lowered my shoulder and plowed into the front door. Shards of wood exploded out in all directions. I hurdled through the entrance with a grunt.

What remained of the door rattled off its hinges and fell, filling the darkened foyer with dust as it slammed into the floor. The criminal stood across the room, eyes wide with guilt. He turned and sprinted up the stairs leading to the second floor.

I crested the stairs moments after him. A door slammed shut at the end of the hall. In the darkness I stalked towards the sound. My heightened senses detected something, a soft scratching from the other side of the wall.

My mind jumped to the only logical conclusion given the circumstances—this nefarious villain was holding innocent people captive inside the walls. I pummeled the bricks and drywall with my bare hands, filling the hall with debris.

I poked my head through the hole I’d created and peered into the darkness. No sign of the prisoners.
Oh, what a fool I’d been. I fell for the oldest trick in the book—look a distraction. And distracted I was. Not anymore. I wouldn’t be fooled again.

I barreled through the door the villain had closed moments before my fight with the wall. I pursued him up a spiraling stair case to the roof.

There would be no escape this time, I told myself.

I paused at the top landing. The metal stairs were welded into place, but it was no match for my super-human strength. The metal twisted and snapped beneath my irresistible grip. I ripped the stairs from where they were fastened to the wall. With a mighty kick I dislodged the staircase and sent it tumbling into the darkness.

The man stood, cowering and yet defiant, on the opposite end of the roof. He pleaded for mercy, but there would be none.

“I’m taking you in, bozo.”

“For what?” Please, take my wallet, my keys… please, just don’t hurt me!” The man tried dropping to his knees as if that would help his case.

“You can’t barter with Justice,” I said, stepping closer.
The man was in his late thirties. Moon light shimmered off his sweaty bald head. His suit and tie were dirty from all his evil-doings.

I yanked him up by the collar. As I did, the floor swayed under foot.

“What have you done?” I pulled the man’s face closer to mine. “Did you rig this place to blow?”

“I have no idea what you’re talking about. You’re crazy!”

“If you call justice crazy, then yeah…I’m crazy.”

The ground shuddered once more. Time was running out. I scooped up the man in my arms and jumped on top of the wall. Perched atop the narrow walk-way, the ground swayed thirty feet below.

“Please, put me down.”

“I’m not leaving you here to die. Death is a mercy you don’t deserve. You’re going to jail.”

“Wha—”

I stepped off the roof and we dropped into the darkness of night. A high pitch shriek pierced the air, mingling with the cool breeze whizzing past my face. I held the man tight in my arms and landed on the sidewalk.

I absorbed the impact with my legs, but the man’s body twisted oddly in my arms. Something like a whip cracked. The screaming became a muffled whimper.

I looked down at the man lying mangled in my arms. His back bending awkwardly against my biceps.

Holding the broken man in my arms, I realized jumping had been a bad idea. While I was strong enough to withstand the fall, even in my arms, he was not.

A couple lights flickered on in the homes across the street. No doubt they had heard the man’s cry moments before. I knelt down and placed the man’s gelatinous body in the grass.

The wind cut through my blazing red spandex and my canary blue cape fluttered in the wind as I ran away.

Maybe I’m not cut out to be a super hero after-all.

Books of the Week!

Oh, god…we’re off to a bad start. I’ve already lied to you. You came here all innocently expecting the Books of the Week, but what you’re actually getting are the Books of the Last Two Weeks. I know, I’m sorry. You’re getting way more than you bargained for.

What can I say? We had some cat related drama (aka: the cat temporarily forgot he isn’t a bird and tried to fly) this week and so I haven’t been able to compile some really great thoughtful words for ya’ll recently.

So instead I’m gonna share the books I’ve read so far in 2015 and give you some brief impressions of each.

1. Accelerando – Charles Stross (I recommend this if you’re into high minded sci-fi)

accelerando

Click on the picture to get a free copy of Accelerando!

Without a doubt I have never read a book that made me feel dumber than Accelerando. The Quantum Thief is a close second, but even in that book I spent most of the time justifying my stupidity by claiming the author didn’t know what he was saying either.

Unfortunately I can’t make that same claim with Accelerando for I fear that Charles Stross truly is smarter than me (atleast where economics, quantum technology, and computer lingo are concerned. I probably got his number if we were to change the topic to Little Debbie’s or rock climbing).

Accelerando follows a three generation family as they progress from the near future pre-singularity human existence to a far-flung post-humanistic experience. Overall this was a cool story that I enjoyed, though I warn you this is not for the light hearted science fiction reader. You got to dig deep and really want to understand what’s happening in this book.

One of the main critiques I’ve seen of Accelerando is precisely that: it’s not very accessible, and the majority of the time is inexplicably obtuse. My vocabulary quadrupled just by reading this book, so that was cool, but again…this book made me feel really stupid.

You’ve been warned.

Quick side-note: It his erudite highbrow snobbery to throw out big words and concepts simply to make your audience feel stupid. I’m not saying that’s what Stross did here, but I would point out that a number of his concepts, though pretty, flowerly, and utterly confusing, are often..wrong. There’s a passage about a Menger Sponge which simply put is incorrectly explained, not that it makes the actual explanation any easier, but there you have it.

Don’t know what a Menger Sponge is? That’s okay, I didn’t either. I looked it up, drew some diagrams, and then determined that what Stross defined was unfortunately not accurate. I wonder how many other niggling issues such as this the book suffers from.

Overall, I really liked the story. The writing was good, if not dense.

There ya go. Next!

2. The Eighth Day – Donovan Gray (Uh… easy, fun fantasy. Fairly short.)

the 8th day

I admit, I was drawn to this one off the cover and initial paragraph. The cover was eye-catching, the concept was compelling, and the writing at the beginning seemed interesting. The book was also cheap, so I thought what the heck, I’ll help a fellow indie author out.

Unfortunately this book didn’t really do it for me in the end. I liked the concept and the writing was decent, but far too often I struggled to keep up with the action. Meaning more often than not I had no clue who was talking or where they were in relation to the other people in the room. This wouldn’t be a huge problem if you had two people in a room chatting at each other and they weren’t moving around, but often there were scenes with three or more people swapping dialogue that I simply couldn’t keep up.

Compounding that problem was the fact that I couldn’t keep track of people because the point of view kept head swapping mid-scene with no point of reference. Overall I was really hoping to like this book, but I think the take-away is an important one for all aspiring writers: ground us in a POV and for the love of god don’t switch without ample warning such as a blinking neon sign saying “Switching POV character in 3…2..1… Poof, now you’re Auntie May. Proceed.”

3. Zero Echo Shadow Prime – Peter Samet (For those of you who like awesome accessible science fiction with even awesomer female leads)

shadow

I reviewed this in an earlier blog post. Go read that for my thoughts on the subject.

4. The Dark Knight Returns – Frank Miller (The quintessential superhero graphic novel)

dark knight

About as classic as they come, though I do have a few complaints. One, the art is great, but damn they squeezed a ton of words onto each page. Reading this thing with anything less than a magnifying glass is a chore.

There are a couple different story lines throughout, some of which I like more than others, but the huge overarching plot thread (Batman’s insatiable hunger for vengeance against the Gotham criminal element) came off as sort of sociopathic. Don’t get me wrong, Batman is definitely a bit crazed even on a good day, but the Dark Knight Returns has him doing somethings that simply don’t make sense within a greater context.

Oh well, who am I to argue with a classic. Fantastic regardless.

6. Leviathan Wakes – James Corey (For those who love Space Opera with a gritty noir detective feel)

leviathan wakes

Admittedly I don’t read a ton of what you would call traditional space opera. It’s nothing against the genre, my interests typically just point elsewhere. I have a series, The Gods and Children trilogy (the concluding trilogy to the Firstborn Saga) however, that is pure unadulterated space opera fun. To me, if you want to write in a particular genre, you better damn well know the tropes and be familiar with it. Leviathan Wakes, in that light, can be viewed as research.

Overall, I think this is a great example of accessible sci-fi. There are some great ideas thrown out there relating to how human culture will develop as the human species spreads out into the solar system. There’s plenty of action, some good old fashioned detective mysteries thrown in for good measure, and a bunch of awesome space ships. What more could you ask for?

There are 3? more novels in the Expanse Series, so if you’re looking to pick up a series with a fair number of words already on the page, this might be a good option seeing as how each book pushes close to the six hundred page mark.

6. Lock In – John Scalzi (Like easy concept sci-fi with personable characterization? of course you do, get Lock In)

lock in

Eh, I’ve gushed about Scalzi enough in a previous review of Redshirts so I’m not gonna say much. I liked this story which was a fun little sci-fi detective mystery. You get all the trademark Scalzi writing which is easy to consume, funny, with great characterizations.

My main complaints? Scalzi overuses speech tags. Every sentence is he said, she said. Always. It grates after awhile. Second, Scalzi skims over really big details only to toss them in your lap later and make you go…wait, wait, wait.

Case in point, you don’t find out until 3/4 of the way through the book that the main character is black. Which is awesome, I’m all for that, but when people read a story, if the author doesn’t explicitly point out character traits, the reader will fill it in for themselves. Typically they do this by imagining the main characters as similar to themselves. When you wait until the end of the book to drop a huge detail (and not in a surprise twist ending sort of way) then you undermine the readers mental image of the world they created. Simply put this is frustrating.

Though, like I said with Zero Echo Shadow Prime, I think new wave sci-fi is doing a great job of incorporating the types of characters who have historically been relegated to sidekicks and window-dressing. I think we need more of this, but for crying out loud, point it out earlier in the story!

Uh… Okay, end rant/review. Stop back next week where, unless my eyeballs fall out, we’ll be reviewing Annihilation, Authority, Acceptance (The Southern Reach trilogy), vN, Saturn’s Children, and The Androids Dream.

Have you read any of the aforementioned books? What did you think of them? Love ’em or hate ’em, what are your thoughts? Leave a comment, I’d love to hear from you.

Anthony

2014 Reading List

It took a bit, but I finally managed to compile my reading list from last year. As you can see there’s a whole lot of Sci-Fi and Fantasy in there with the occasional How-To book on writing (hey, gotta keep those chops fresh!).

The most read author of 2104 was Chuck Wendig, but if you’re looking at total word count then it might go to Brandon Sanderson or Patrick Rothfuss.

See something below you like and want my opinion on? Leave a comment down below and I’ll give you the most wonderful personalized review you could ever ask for!

EDITED: The pictures decided they weren’t going to show up for everybody so I went ahead and deleted them. You’ll just have to settle for the written list below. Sorry for the visually unstunning display!

  1. Velocity – Dean Koontz
  2. The Universe Doesn’t Give A Flying Fuck About You – Johnny B. Truant
  3. Plugged – Johnny B. Truant, Sean Platt
  4. Publish. Repeat – Johnny B. Truant, Sean Platt
  5. Robot Proletariat – Johnnny B Truant, Sean Platt
  6. Unicorn Western – Johnny B. Truant, Sean Platt
  7. Fiction Unboxed – Johnny B. Truant, Sean Platt
  8. The Kick-Ass Writer – Chuck Wendig
  9. 500 Ways to Tell a Better Story – Chuck Wendig
  10. 500 Ways to Tell a Better Story – Chuck Wendig
  11. 500 Ways to Write Harder – Chuck Wendig
  12. Blackbirds – Chuck Wendig
  13. Mockingbird – Chuck Wendig
  14. The Cormorant – Chuck Wendig
  15. Blue Blazes – Chuck Wendig
  16. 30 Days in the Word Mines – Chuck Wendig
  17. Aliens & Alien Societies – Stanly Schmidt
  18. The Viscount and the Witch
  19. How to Instantly Connect With Anyone – Leil Lowndes
  20. The Restaurant at the End of the Universe – Douglas Adams
  21. Life, The Universe, and Everything – Douglas Adams
  22. The Night Circus – Erin Morgenstern
  23. The Lies of Locke Lamora – Scott Lynch
  24. Red Seas Under Red Skies – Scott Lynch
  25. Republic of Thieves – Scott Lynch
  26. Divergent – Veronica Roth
  27. Writing Fight Scenes – Rayne Hall
  28. 2,000-10,00 Words a Day
  29. The Time Travelers Wife
  30. The Book Thief –
  31. Time Snatch – Anthony Vicino
  32. Echoes – Therin Knite
  33. Clean – Alex Hughes
  34. The Sandman Vol 1 – Neil Gaiman
  35. The Sandman Vol 2 – Neil Gaiman
  36. The Ocean at the End of the Lane – Neil Gaiman
  37. American Gods – Neil Gaiman
  38. Neverwhere – Neil Gaiman
  39. Love Minus Eighty – Will McIntosh
  40. Your First 1000 Copies – Tim Grahl
  41. Mistborn – Brandon Sanderson
  42. Well of Ascension – Brandon Sanderson
  43. Mistborn 3 – Brandon Sanderson
  44. Legion – Brandon Sanderson
  45. Elantris – Brandon Sanderson
  46. Legend- Marie Lu
  47. All You Need Is Kill – Hiroshi Sakurazaki
  48. The Fractal Prince – Hannu Rajaniemi
  49. The Martian – Andy Weir
  50. Dune – Frank Herbert
  51. A Better World – Markus Sakey
  52. Ready Player One – Ernest Cline
  53. Lexicon – Max Barry
  54. The Magicians – Lev Grossman
  55. Old Man’s War – John Scalzi
  56. Redshirts – John Scalzi
  57. An Election – John Scalzi
  58. Crack the Indie Author Code – Robert Chute
  59. We Are Anonymous – Parmy Olson
  60. Super Human – Collins
  61. LieSpotting – Pamela
  62. Red Rising – Pierce Brown
  63. Super Charge Your Kindle Sales – Nick Stephenson
  64. Ghost in the Wires – Kevin Mitnick
  65. Art of Deception – Kevin Mitnick
  66. Robopocalypse – Daniel Wilson
  67. Imitation – Heather Hildenbrandt
  68. Snow Crash – Neal Stephenson
  69. Thank You For Arguing – Jay Heinrichs
  70. Animal Farm –George Orwell
  71. Freakonomics – Levitt/Dubner
  72. Mirror Empire – Kameron Hurley
  73. Time Heist – Anthony Vicino
  74. The Astonishing X-Men Vol 1 – Joss Whedon
  75. The Name of the Wind – Patrick Rothfuss
  76. The Wise Man Fears – Patrick Rothfuss
  77. Astonishing Xmen 1 – Joss Whedon
  78. Astonishing Xmen 2 – Joss Whedon
  79. Justice League of America New –
  80. East of West 1
  81. East of West 2
  82. East of West 3
  83. Sin City
  84. Civil War
  85. Mind Breach – Anthony Vicino
  86. Soda Pop Soldier – Nick Cole
  87. Darwin Elevator – Jason Hough
  88. Business for Authors – Joanna Penn
  89. Let’s Get Digital – David Gaughran
  90. Mona Lisa Overdrive – William Gibson
  91. Count Zero – William Gibson
  92. Million Dollar Outlines – David Farland
  93. Y: The Last man
  94. Killing the Top 10 Sacred Cows – Dean Wesley Smith
  95. Million Dollar Professionalism – Kevin Anderson
  96. Million Dollar Productivity – Kevin Anderson
  97. Drawing from the Power of Resonance – David Farland
  98. Eye of the World – Robert Jordan
  99. Pentecost – J.F. Penn
  100. A Novel In 21 Days –
  101. Read This Now
  102. Ancillary Justice – Anne Leckie
  103. Convergence – Michael Patrick Hicks
  104. The Immortality Game – Ted Cross
  105. No Hero – Jonathan Wood
  106. Gotta Read This – Libbie Hawker

Short Sci-Fi Movies Morning!

Here’s a little short Sci-Fi movie roundup for you. One of the things all these films have going for them is some fantastic visual and sound effects. Acting is typically “meh” and the story lines are a bit “whuuu?” but that’s what you get from a 3 minute movie. Enjoy.

There’s a story to this one I’d be interested to know more about. Of all the films below I’d love to see this one turned into something more. Decent acting, an intriguing plot, and good visuals.

Loved the special effects on this one all the way up to the “super jump” which was so cheesy it caused me physical pain. The acting is nothing special, but the visuals are fantastic. The story line? Eh, don’t be upset when you get to the end and say, “What?” Just enjoy it for what it is.

Not much going on in this one. Pretty lights, decent music. Sad concept.

The Dreaded One Star!

No, that’s not the little, skinnier cousin of the Death Star, though it can destroy worlds if you let it. The 1 star is as straight forward as it sounds, it’s a 1 star review and if you stay in the game long enough as a writer (or really, any creative type) you’re bound to take some lumps from a critic or two.

Now, I originally wrote a post called “Criticism is an Anal Probe”, but that seemed disingenuous and ignorant of the fact that we don’t all view anal probes in the same way. I’m nothing if not inclusive, so here we are talking about 1 stars which to stick with the previous metaphor could be called the Dreaded Stinky Star.

Don’t know what that is? Don’t ask, and definitely don’t google it. Please, for the love of god, if ever you were to listen to me, do so now: Do not google it.

*keeping an eye on you, dear reader*

*keeping a wary eye on you, dear reader*

Anyways, it finally happened, Time Heist got its first 1 star rating. Not a review mind you. There was no constructive feedback, just a bomb in the shape of a 1 that wrecked my morning.

Or did it?

See, any creative endeavor is a risky proposition because by putting yourself out there you open yourself up to criticism. It’s just the way of the world so there’s really no sense in complaining. And if you’re not allowed to complain, then what can you do?

You take away the useful bits, you leave the rest, and you move the fudgesicle on.

What are the useful bits to take away from a potentially soul crushing rating?

Well, one of the most important things any creative type needs to learn real quick (less they spiral into a depression well (which is a room covered on all sides by shelves full of Furby’s)) is that you can’t please everybody. Not even close.

The take away from that little hemorrhoid shaped factoid is that a bad review, or what have you, is no reflection on the quality of the work itself. Some people will love it, and yes, some (possibly even more people) will hate it. And you know what, both sides have completely legitimate opinions.

You want to be a writer? Cool, cool, cool. I totally support that, but just remember that the quality of your work, and your value as a writer, is not directly linked with some arbitrary rating somebody threw out. If you let it those negative reviews will burrow into your heart like a rabid earthworm and chew you up at the seams until you unravel like a Raggedy Ann doll tossed in the dryer.

Am I bummed about getting a 1 star? Meh, nobody likes getting dick punched, but it’s inevitable.

combo breaker

You can either writhe on the ground bitching about it or you can take one gasping breath after another, struggle back to your knees, claw your way back into your chair, and start writing again.

Because in the end, there’s no better retort you can give to a hater than to write another story while mumbling,

can't hear you

Anthony

Zero Echo Shadow Prime Review

shadow

Get it for $0.99 on Amazon.

They say don’t judge a book by its cover, but those people are idiots. True, in an ideal world we’d be able to separate the two mediums (cover art/writing), but that’s just not how it works. A bad cover sets your expectations just that much lower, which can be a good thing if the writing/story is great ’cause then you’ll come out of the experience a winner. But more often, I’ve been burned by a fantastic cover with only mediocre innards.

It’s like dating a super-model with no personality versus dating a hunchback with charisma oozing out their lumpy sexy selves.

What’s this have to do with Zero Echo Shadow Prime by Peter Samet? Well, I’m glad you asked, because I picked up ZESP on a lark. Didn’t read the blurb or the reviews, nothing like that. I saw the cover and thought, that’s awesome, proceeded to the first page and read the first sentence which sufficiently held my attention, and then I bought the damned thing.

Minutes after the purchase my girlfriend asked what it’s about, to which I stared blankly at her and shrugged. I honestly didn’t know anything about the book beyond the cover being cool and the title being intriguing.

I tell you this to pave the way for expectations. On the one hand you could say I had no expectations ’cause I knew nothing about the story, or you could say I had very high expectations based on the fact that the cover set the bar nice and high.

Okay, so what is the story about? Lets get that out of the way real quick. Here’s the official blurb from Amazon.

 CONSCIOUSNESS IS IN THE CODE

The year is 2045. 18-year-old Charlie Nobunaga creates the world’s first sentient AI and becomes an overnight sensation. But amid the red carpet galas and TV interviews, Charlie is diagnosed with cancer, and her promising future grinds to a halt.

To save her life, an ambitious tech company uploads Charlie’s mind into the body of a cutting-edge robot. The procedure is a success, but with a horrifying catch. They create additional clones for their own ends.

Charlie wakes up four times as four distinct entities: a robot named PRIME, a holographic assistant named SHADOW, a mysterious four-armed killer named ECHO, and the original dying human renamed ZERO. Separated and imprisoned, each version of Charlie begins an arduous journey alone. But their paths soon intersect in surprising ways as they retaliate against the people determined to destroy them.

ZERO ECHO SHADOW PRIME is the story of one young woman who splits into four…and fights to become whole again.

One of the big complaints railed against Science Fiction in the past is the lack of strong female characters. Take a look at classic sci-fi and they are clearly a product of their times and social views of woman and their place in society. In recent years this has changed in a big way (think Hurley’s The Mirror Empire or Leckie’s Ancillary Justice), and the genre as a whole is only getting stronger.

mirror empire ancillary

ZESP takes a female dominant cast and hurls them through a cornucopia of awesome situations. These aren’t your grandfather’s female protagonists who rely on a male to save the day, these are women fully capable of solving their own problems.

Interestingly enough, though many writers have been attempting to bridge the gap and be more inclusive of the female gender in their stories, they go about it by more or less writing a male character and calling him a her. That’s disingenuous and one of my leading complaints with The Mirror Empire.

ZESP does a fantastic job writing a well-rounded, nuanced female lead (a bunch of them actually) without falling back on gender stereotypes for a convenient crutch. In fact I might go so far as to say the many iterations of Charlie were some of the best characterizations of a female protag I’ve read in the past year.

zesp

Okay, moving on. ZESP, characterization aside, is an awesome story. Plain and simple. When I go into a book, this, above all else, is what I’m looking for: a good story. From beginning to end ZESP delivered with consistent pacing, escalation in all the places you’d expect, the occasional breather to slow down and smell the roses, and then right back into the tension.

Samet though up a world of tomorrow that is both very cool and fairly conceivable within the parameters of technology as we currently understand them. Things start to get a bit fantastical at the end, but you know what, I’m gonna let that slide because I think Sci-Fi that doesn’t get a little fantastical is just a textbook. Boooring.

The use of nanotechnology, computer simulators, and human consciousness simulators provides a deluge of possibility that Samet handles expertly.

I don’t want to seem like a gushy fan-boy so I’ll say this, my biggest critique of the book was the villain Jude Adler, who’s motivation (besides pure corporate greed and progression of the species) seemed a bit weak for how flippantly she dealt with human life. Which is to say nothing of Bob Sapio and the Sapien Movement which is a great concept, but the way this group was implemented didn’t really make sense.

Somehow this group has the means to cure cancer with a slurpy, hack human consciousnesses’ into robotic systems, and take over space shuttles and crash them into the Police sentry units, without ANYBODY noticing. And then the media call them Luddites, which is so silly and hyberbolic as to be silly. I don’t know, I think the end of the story leaves enough possibility for a sequel that perhaps Samet can flush out the Sapiens and explain how the friggin’ hell they are so far ahead of the curve.

Which he very well may do, actually. If anything Samet showed in ZESP that he can spin a fine yarn. I’m confident that in future installations he will clean up any loose ends which my gut tells me he left hanging for climactic effect later.

We shall see. For my part, I truly hope there is a sequel.

If you’re looking for great, easily accessible science fiction with a strong female lead, plenty of action, and a fair amount of introspection on what it means to be human and the value of individuality, then Zero Echo Shadow Prime should be on your shelf (preferably facing out, cause again, the cover is cool).

Anthony

What’s the Haps?

I’ve been getting the question recently, “Whatcha working’ on?” Amongst friends and family the expectation seems to be, “You finished Time Heist, so you’re probably done with that whole writing thing now, right?”

Uh… nope. If writing were a rustic cowboy in the mountains I would definitely be looking him in the eyes whispering,

i cant quit you

And then we’d go off to the tent and do writerly things.

But no, there is much more on the horizon. Some of which ya’ll might even be excited to hear about.
So, throughout the month of December I’ve been grinding through the second drafts of Infinity Lost and Mind Breach. These stories have been stressful for me because I’m taking a step back from my typical First-Person storytelling style (which is pretty much my bread and butter).

But a man can’t live on bread and butter alone, he’s gonna need some meat and potatoes. Perhaps the occasional bag of jelly beans, tub of gummy worms, and vat of ice cream. So I’m working on my weaknesses as a storyteller and doing something a little bit outside my comfort zone with both Infinity Lost and Mind Breach.

Infinity Lost, for those that don’t know, is book 1.5 in the Firstborn Saga. It’s coming in around 35,000 words, so not an insignificant amount of story, but not a full length feature, either.

Infinity Lost is set a century or so before Time Heist, though it’s not to be read as a prequel, per se. The story follows through the eyes of Daniel Brandt, and really flushes out the backstory of Unity and the Life Tracker i.e.: how those things both came about.

Mind Breach is book two in the Firstborn Saga, picking up shortly after the end of Time Heist. I love this story because it handles such a huge, diverse cast of characters (which has been like wrestling a hydra covered in KY jelly… but in a good way.)

These two stories I’ll hopefully have out in the beginnings of February and March respectively.
For those of you interested in the shorter works like Parallel and Sins of the Father, there’s another novella called Purgatory that should be coming out sometime near the end of January. This is a fun little short story that those who followed me on WeaklyShortStories will be semi-familiar with.

So yeah, I’ve been a busy beaver between those three works and two side-projects: one is a YA fantasy series called Death Detectives (Deathtectives? Maybe, if you like lisps), and the other is a novella called Three Days From Now (both of these are somewhere in first draft form but are both mega-awesome stories I’m excited to share).

Want to keep up on the Firstborn Saga and everything else coming out of One Lazy Robot?

Pop on over to OneLazyRobot.com, sign up for my NEWSLETTER, and not only will you get updates on New Releases, but I’ll send you a free copy of either Parallel or Sins of the Father, your choice.

Anthony